Everything In This Book Is True – British producer and journalist Peter Pomerantsev said in his brilliant first book, Nothing Is True, Everything Is Possible, “The only force that unites, governs and binds this country together is television.” Moscow parties… , bandit towns in Siberia, villages in the North Caucasus, courtrooms in London, penthouses in New York.
At the heart of the book is the humility that can transform itself into any system, be it a democracy, an oligarchy or a dictatorship. The people of Anda replied: they have become actors who are the face of the state.
Everything In This Book Is True
This is a book that reads like a movie. Through a series of vignettes, Pomerantsev highlights the marginalized in society. He finds a world where “everything is PR” and where “effectiveness is universal.” At first glance, it may seem intolerable and harmless – sometimes even strong. But as the author finds out, there is also a dark side.
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While his editors demand that he gets “joyous” or “uplifting” stories, behind the screen Pomerantsev sees suicidal supermodels, mystical sects and revolutionary oligarchs yearning for their carefree provincial childhoods.
As President Vladimir Putin tightens his grip on Russia, Pomerantsev’s boss wants him out of politics. But Moscow has not escaped the Kremlin. The author shows that in Russia everything is going from top to bottom. But he never calls Putin by his name, instead calling him “the president”. “The president is at the center of Moscow’s false reality,” Pomerantsev wrote. The reader feels Putin’s presence throughout the book. In a country where even critics are manufactured by the Kremlin, Orwell’s image is far more terrifying than his name.
The author doesn’t even name the propagandists running the show—they’re just “the men from Ostankino” who turn Moscow’s Soviet-era state broadcasting headquarters into “football-sized Kremlin propaganda battering rams” and now into a glittering television empire. are changing. … Ostankino’s power grows steadily throughout the book, slowly destroying Russian journalism, and bringing in more producers and journalists, many of them Russia’s best.
Kremlin official Pomerantsev analyzed in detail Vladislav Surkov, the only person who “directed Russian society like a fantastic reality show.” In his journalistic work, the author wrote a lot about him, but “nothing is true, everything is possible”, from the head of PR in Surkov Ostankino to Putin’s “gray cardinal” of the Kremlin’s top minister Boris Berezovsky Arrived. Like in the film Bandits of Siberia Pomerantsev.
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Despite being a Kyiv-born Londoner, Pomerantsev’s knowledge of Moscow is vast. In his book, he describes the changing face of Putin-era Moscow, describing behavior that “changes so rapidly that it loses its sense of reality” through a city historian who describes the old, Manav seeks to save Moscow before it takes over. Soviet and elite, one of the “good guys”.
The book is full of unexpected twists and turns and exciting dialogue, and often reads like fantasy. That’s not the most exciting part. Pomerantsev’s undoubted strength lies in his ability to find and tell stories that illustrate what happens to people in the absence of truth. Love and the value of human life are gone: there can be no functional relationship to any of its subjects, and all are eternally illusory.
In this brutal scene, the author found hope in the quiet heroes of everyday life, most of whom are women: St. the Mothers of Petersburg, who provide shelter for soldiers who have fled from terrorized military camps; a Dagestan prostitute who welcomes her sister to the streets of Moscow and saves her from jihadism; A businesswoman who is jailed for a far-flung FSB scandal and campaigns to reform a corrupt justice system.
Most of the book takes place before the annexation of Crimea and the war in Ukraine. It describes Russia’s transition to authoritarianism under Putin. The author got further and further lost in “the world of Surkov and political technologists” and found out that Russia was never a non-transitional country, but an “illusion”. He describes the specter of Moscow getting out of control and becoming a false reality. The more you read the book, the more alarming it feels like a time bomb has gone off. Reading this piece during the Ukraine conflict, one can’t help but think that only Russia’s war reality can prevent a real war.
Please Don’t Be True
On March 21, unknown masked men appeared in Crimea, part of the sovereign state of Ukraine. Soon the peninsula was filled with unmarked soldiers. Then there were mock elections, patriotic Russian music, which amused the old ladies. All this was broadcast on TV. The Russians and the world were in their living rooms looking around and fooling around.
Pyotr Pomerantsev’s book “Nothing is True, Everything is Possible: The Surreal Heart of the New Russia” is published by Public Affairs magazine. 256 pages.
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