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When you boot up a new Samsung phone and go to the music library, you’ll find that there’s already a song there – it’s called Over The Horizon, and it’s the official “anthem” or ringtone for Galaxy S phones. If you’ve ever owned a Galaxy phone, you’ve probably you know the central theme of the tune.
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Over The Horizon debuted on the Samsung Galaxy S2 in 2011, and the January 14th launch date of the Samsung Galaxy S21 brings with it the 10th version, or 9th reimagining, of that tune.
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Each iteration of Over The Horizon is different in terms of instrumentation, tone and length, but they are all written around a six-note motif that is woven into each version of the sound in different ways.
So, before the launch of the Samsung Galaxy S21, let’s go for a little history lesson and listen to 10 years of catchy tunes.
The original Over The Horizon for Samsung Galaxy S2 defines its first few releases – it’s upbeat, poppy, loaded with instrumentation (both real and digital) and sounds like it could fit straight into the Sims soundtrack.
The theme for this original release was ‘Beyond the Smart Experience’ and is as optimistic as we all were at the time. The motif is repeated over and over, even partially played in a small guitar solo.
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With a cheerful tone and fast tempo, this version of the theme was the perfect wake-up song, as it will start your day off right – although it might sound a lot better through your computer or phone speakers now compared to those on the Galaxy S2.
The first re-imagining of Over The Horizon starts off rather mellow, with more acoustic instruments like strings and percussion holding it down for the first minute, until a more expansive string and piano section jumps in later.
Compared to the other early years of Over The Horizon, it’s a little out of place in terms of instrumentation and tone, but that’s the point of the whole ‘reinterpretation’ exercise, after all.
The song’s theme was ‘Designed by Humans’ – that’s not to say that robots or aliens wrote the other versions, but Samsung’s whole design philosophy for the Galaxy S3 was to make it more human-made and handcrafted. The lack of visible digital instruments proves this.
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The third version of Over The Horizon, debuted in 2013 with the Samsung Galaxy S4 and was used again the following year with the Galaxy S5, bears more than a passing resemblance to the original version.
The song, written on the ambiguous theme of ‘Life Companion’, starts slowly with synths and piano before gradually building to a crescendo of busy instruments. There is what sounds like a guitar, strings, drums, piano, and more. It is also the most clearly structured piece, moving between themes and variations of the original motif.
It’s not hard to imagine this version of the song accompanying a climactic moment in a movie, but the ‘Sims soundtrack’ vibe is here too. However, this part would definitely work in the trailer.
Based on the many comments on YouTube among all the Over The Horizon videos (admittedly, not necessarily a reliable source, but the best we can do), the Samsung Galaxy S6 version of the song is the most popular.
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The piece begins slowly, with a soft harp rendition of the motif, and takes much longer to build than previous versions, bringing in percussion and a full orchestra after just two minutes. Certainly not as upbeat as the 2013 version, listen more to the 2012 track.
This is the last installment in what we refer to as ‘the Sims era’, marked by fun pieces that fit right into the simulator video game soundtrack (and other things, obviously). Things get weird from here.
Over The Horizon 2016 starts off normally enough, with the motif playing right away, but then we have a quick drum break, a jazzy brass harmony and the first human vocal tracks, all within the first 10 seconds.
This version of the song was written and performed by Dirty Loops, a jazz-funk group from Sweden, and marks a dramatic departure from the previous tracks.
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It’s nice to see the original motif presented in a jazzy way, and if Samsung is looking to go in a new direction with the Samsung Galaxy S7 version of the piece, this is one of the best iterations we could have expected.
2017’s Over The Horizon was written by artist Jacob Collier, and he seems to be going in a similar direction to Dirty Loops – this is another take on jazz-funk on the track, though it certainly leans more towards the latter than the two words. , with some sla bass thrown in for good measure.
Like the original version of the song, Collier relies heavily on the motif, singing it repeatedly throughout the piece. There’s also an ever-changing array of instruments with keyboards, guitars, layered vocals, a mouthpiece and more, which tie in and leave the track at various intervals.
Samsung’s “jazz-funk” phase only lasted two years, and it was a shame to see it go, because eclectic pieces like these made great alarms or ringtones.
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Now we enter Samsung’s ‘natural’ phase of parts inspired by nature. This first takes the listener on an ‘atmospheric journey of discovery’, according to the video’s description.
The song begins with a piano playing the motif and variations on it, before an orchestra joins halfway through the piece. It’s best to listen along with the video above, as the music matches the visuals.
The Samsung Galaxy S9 version of Over The Horizon marks another dramatic change in song direction, and it could be argued that the new tracks were less useful as alarms and more suitable for ringtones, due to their soft opening. However, if you like to wake up easy instead of a full digital orchestra, this version may be better for you.
The Samsung Galaxy S10 ringtone was inspired by the accompanying video of crystal clear waters and oceans. Great for people who like nature music, bad for people with thalassophobia (fear of the sea).
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The piece uses strings, piano and woodwinds to create something of a soundscape, but one that sometimes rears its head in different ways. At the end, the piece goes back to some early versions of Over The Horizon, with a percussion and piano section leading into an upbeat tempo.
Last year’s re-imagining of Over The Horizon is again nature-themed, but takes us to dry land (well, land, though there’s still plenty of water). The first minute or so of the piece is all natural sounds, like running water and birdsong, so it’s perfect for people who like a gentle wake-up call.
The piece as a whole resembles ambient music more than a bell, with full tempo and instrumentation only in the last minute of the piece. There are some strings and a piano, but it seems like the nature-inspired sounds at the beginning are the real star of the piece.
We don’t hear much of the original motif in this rendition of Over The Horizon, as it only occasionally shows its head. It would be hard enough to train birds to sing one thing, or to make water flow to that particular rhythm, so we’re not surprised.
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The new version of Over The Horizon hasn’t technically been revealed at the time of writing – we’re waiting for the Samsung Galaxy S21 launch for that – but it has been revealed. We don’t know if this is the full song, or just part of it, but it gives us a glimpse of the direction Samsung is going.
Well, Samsung isn’t “going in one direction” as much as it’s “staying in the same direction,” because this is another bland, soft version of the part.
The reason we’re not sure if this is the full version of Over The Horizon, or just part of it, is because there’s only one instrument – a piano. It’s more like the 2018 version in that respect, but without the partial orchestration.
The original motif is almost present in the song, appearing more in harmonies and variations of the theme than as the theme itself. This would make the most sense if the piano was accompanied by other instruments picking up the melody, but maybe Samsung just wanted to take a year off from the iconic six-note sound bite.
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Tom Bedford was deputy telephone editor until late 2022, having stepped down as staff writer. Although he specializes in phones and tablets, he has also taken on other technologies such as electric scooters, smart watches, fitness, mobile gaming and more.
He majored in American Literature and Creative Writing at the University of East Anglia. Before working at , he freelanced in technology, games and entertainment, and also spent
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