Pretty Woman Roy Orbison Youtube – Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and musician known for his passionate singing style, complex song structures, and dark, emotional ballads. His music has been described by critics as operatic, earning him the nicknames “Rocky Caruso” and “Big O”. Many of Orbison’s songs expressed vulnerability at a time when male rock and roll artists chose to project machismo. He stood motionless wearing a black outfit that matched his dyed black hair and dark glasses.
Born in Texas, Orbison began singing in rockabilly and country-and-western bands as a teenager. She was signed by Sam Phillips of Sun Records in 1956, but her biggest success came with Monument Records. From 1960 to 1966, Orbison had 22 singles reach the top 40 on the Billboard charts. He wrote or co-wrote almost all of his top 10 hits, including “Only the Lonely” (1960), “Running Scared” (1961), “Crying”. ” (1961), “In Dreams” (1963) and “Oh, Pretty Woman” (1964).
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After the mid-1960s, Orbison suffered a series of personal tragedies and his career stalled. He experienced a resurgence in popularity in the 1980s following the success of several cover versions of his songs. In 1988 he founded the Traveling Wilburys (a rock supergroup) with George Harrison, Bob Dylan, Tom Petty and Jeff Lynne. Orbison died of a heart attack in December 1988 at the age of 52. A month later, his song “You Got It” (1989) was released as a solo single, becoming his first hit to reach the US and UK top 10 in nearly 25 year. .
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Orbison’s honors include induction into the Rock and Roll Hall of Fame and the Nashville Songwriters Hall of Fame in 1987, the Songwriters Hall of Fame in 1989, and the Musicians Hall of Fame and Museum in 2014. He received a Grammy Lifetime Achievement Award and five others. recognizes the crime. Rolling Stone ranked him 37th on their list of “Greatest Artists of All Time” and 13th on their list of “100 Greatest Singers of All Time”. In 2002, Billboard magazine ranked him number 74 on their list of the top 600 recording artists.
According to the authorized Roy Orbison, the family moved to Fort Worth in 1942 to work in the aviation factories.
Orbison’s father gave him a guitar for his sixth birthday. He recalled, “I graduated, you know, nothing else” at age 7, and music became the focus of his life.
His main musical influence in his youth was country music. He was particularly moved by Lefty Frizzell’s singing with its slurred syllables,
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And he got the name “Left Wilber” during his stay with Traveling Wilber. He also entertained Hank Williams, Moon Mulliken and Jimmie Rogers. One of the first musicians he heard in person was Ernest Tubb, who played in the back of a truck in Fort Worth. In West Texas he was introduced to rhythm and blues, Tex-Mex, Mantovan orchestral arrangements and Cajun music. The Cajun favorite “Jole Blon” was one of the first songs he sang in public. He began singing on a local radio program at the age of 8 and became the host of the program in the late 1940s.
All of Orbison’s children had poor eyesight; Roy used thick concealers from an early age. She was conscious of her appearance and started dying her almost white hair black at a young age.
In high school, Orbison and some Freeds formed a group called the Wink Westerners. They played country standards and Glen Miller songs at local honky-tonks and had a weekly radio show on CURB in Kermit, Texas.
They offered him $400 to play at a dance, and Orbison realized he could make a living from music. He attended North Texas State College in Dayton, planning to study geology so he could secure a job in the oil fields if music didn’t pay off.
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He heard that his classmate Pat Boone had signed him, and this further strengthened his determination to become a professional musician. While in college, he heard a song called “Ooby Dooby” composed by Dick Pnery and Wade Moore and returned to Wink with “Ooby Dooby” in hand and continued to perform with Wink Westerners after his freshman year.
He entered Odessa Junior College. Two members of the group left and two new members were added.
The Wink Westerners continued to appear on local television, play dances on weekends and attend college during the day.
And he suggested Orbison approach Sam Phillips at Sun Records. Orbison did so and was told, “Johnny Cash doesn’t run my record company!”
The success of their KMID TV show earned them another show on KOSA-TV and they changed their name to Te Kings.
Record store owner Poppa Holyfield played it for Sam Phillips on the phone, and Phillips offered Te King a contract.
The Kings wt to Sun Studio in Memphis, where Phillips wanted to re-record “Ooby Dooby” in his studio. The song was released on Sun 242 in May 1956
The Kings toured with Sonny James, Johnny Horton, Carl Perkins and Cash. Heavily influenced by Elvis Presley, Orbison performed wildly and “did everything to get us applause because we only had one hit record.”
The group eventually split over disputed writing credits and royalties, but Orbison stayed in Memphis and asked his 16-year-old girlfriend, Claudette Freud, to join him there.
They lived in Phillips’ house and slept in separate rooms. In the studio, Orbison set up the recording equipment. Phillips remembers being more impressed with Orbison’s guitar skills than his voice.
Orbison wrote the ballad “Clown” to a lukewarm response; After hearing that, Sun Records producer Jack Klemt told Orbison that he would never break out as a ballad singer.
Orbison became familiar with Elvis Presley’s circle and once went so far as to pick up Presley’s date in his purple Cadillac. Orbison wrote “Claudette” – about Claudette Freddie, whom he married in 1957 – and the Everly Brothers recorded it as the B-side to “All I Have to Do Is Dream”. The first and possibly only royalties Orbison earned from Sun Records could have paid for his own Cadillac. Increasingly disillusioned with Sun, he gradually stopped recording. He toured the Texas music circuit and stopped performing for seven months in 1958.
For a brief period in the late 1950s, Orbison made a living with Acuff-Rose, a record label that focused primarily on country music. After spending a day writing a song, he made several demo tapes at a time and sent them to Wesley Rose, who tried to find musical acts to record them. Orbison tried to sell recordings of other writers’ songs to RCA Victor and worked with and admired Chet Atkins, who played guitar with Presley. One song he tried was “Seems to Me” by Bodlow Bryant. Bryant’s impression of Orbison was “a shy, shy guy who seemed quite confused about the whole music scene. I remember the way he sang—softly, beautifully, but almost viciously, as if someone might be bothered by his efforts and rebuke him. “
Orbison played shows at night and lived in a small apartment with his wife and young son, often taking his guitar in the car to write songs. Songwriter Joe Melson, an acquaintance of the Orbisons, knocked on his car window one day in Texas in 1958, and the two decided to write some songs together.
In 1958 and 1959, Orbison recorded several songs for RCA Victor at their Nashville studio; There were only two singles worth releasing by the label.
Orbison was one of the first recording artists to popularize the “Nashville Sound” with a group of session musicians known as The Nashville A-Team. The Nashville sound was developed by producers Chet Atkins, Ow Bradley (who worked closely with Patsy Cline), Sam Phillips, bassist Bob Moore and Fred Foster.
In his first session for Monumt in Nashville, Orbison recorded a song rejected by RCA Victor, “Paper Boy”, backed by “With the Bug”, but neither charted.
Orbison’s own style, sound created at RCA Victor Studio B in Nashville with pioneer Bill Porter, Foster’s producer and accompanying musicians, gave Orbison’s music a “polished, professional sound … finally giving Orbison free rein to his stylistic inclinations”.
Orbison requested a string section and with him he recorded three new songs, the most notable of which was “Uptown”, co-written with Joe Melson.
Pleased with the results, Melson later recalled, “We stood in the studio and recorded the playback, and we thought it was the most beautiful sound in the world.”
The Rolling Stone Illustrated History of Rock and Roll stated that Orbison’s music in Nashville “brought a new luster to rock” and compared the melodramatic effects of the orchestral accompaniment to Phil Spector’s musical productions.
“Uptown” only reached No. 72 on the Billboard Top 100, and Orbison aimed to negotiate a contract with an expensive nightclub somewhere. His first success came precisely in the 50s
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