The Rite Based On True Story – Hollywood has a sliding scale to blur non-fiction facts. First, you have movies that claim to be “based” on a true story. If that’s too hard to swallow, the next level of disclaimer is that the movie is “inspired” by a true story. I find that movies that are “based” or “inspired” by true stories tend to sound less believable than movies made as pure fiction. Maybe it’s because when Hollywood takes a real-life event, it does everything it can to turn it into something that fits the dramatic formula. On the other hand, if a filmmaker is trying to bring a simulated drama to the big screen, the emphasis is on making it more believable. The accuracy of Hollywood nonfiction is becoming an issue these days. creators
Whoever paints an ugly portrait of Facebook tycoon Jesse Eisenberg admits they’re embellishing reality. And at the Golden Globes, they did their best to flatter Eisnenberg by insisting that the movie was just a metaphor. A metaphor? my silliness I thought this was the story of the man who created Facebook. And Take
The Rite Based On True Story
. The truth cannot be more real than when a man cuts his arm with a razor. But do you remember the scene where he dives into an underground pool with two female hikers before he gets trapped? It never happened. As if the real story wasn’t exciting enough, they had to throw the protagonist into a swimming pool with the fictional girls.
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, both close enough to the reality that the real names of the characters are used. So why don’t they both look believable? Someone
Based on the true story of powerful lobbyist Jack Abramoff (Kevin Spacy), who was jailed for bribery and fraud in the biggest scandal to hit Washington since Watergate. The other is “inspired” by a true story and (or even more so) “suggested” from a book,
Sillier of the two – they should say parts of the movie “have a temporary resemblance to a true story” – so take a look first:
After watching the unbelievably cheesy trailer, I had to drag myself into this movie following this belief in denial (voiced by my best colleague Richard Crouse: “I watch bad movies so you don’t have to.”) is a cheap shot.
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. But when the movie started, I was very surprised. It looked better than I expected at first. The first few scenes were well directed and well shot. The script begins in a promising spirit of theological inquiry. Sent to Rome for exorcism work, the American protagonist Michael Kovic, a skeptical theologian graduate, is played by Irish newcomer Colin O’Donoghue, who has the pensive charisma of a young Montgomery Clift. And as Father Lucas, the Welsh exorcist who tries to convince him that the demonic possession exists, Anthony Hopkins cheerfully rummages through his bag of tricks. Swinging between English and Italian, thinking aloud, muttering to himself like an eccentric sage, it all shines through with endless chops of acting. And it’s fun to watch, until…
– the exorcist himself is possessed by the Devil and transformed in a volcanic monster show. Oh, yes, and there is an accompanying woman, a journalist played by Alice Braga, which serves nothing more than to add to her female presence.
There is at least some degree of intrigue. As Father Lucas tries to exorcise the demon of a pregnant teenager, Kovic is filled with doubts: Is he possessed or just a psychotic? Kovic is the audience’s surrogate, so while Father Lucas is trying to convince him that the Devil exists, he’s trying to convince us, too. But then the movie abandons that tension, unveils a series of demonic special effects and tells us to believe. . .
. That’s when I stopped believing in anything except that I was suddenly watching a bad movie that got worse every minute. What is often so visible in Hopkins as an actor is the intricate details of his restraint. This movie turns him into a latex gargoyle and makes him fly as far as Jack Nicholson did.
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And stunned by the ruthless genius of Richard Burton, who hasn’t aged one iota. You feel like you’re watching the greatest actor ever. Since then, whenever I see Hopkins, his beautiful Welsh beat reminds me of Burton. Both were, of course, rabid alcoholics, but Hopkins quit drinking a long time ago, letting his bank account grow old enough to see his bank account fat and his artistic currency cheapened by blockbuster movies.
. Therefore, I cannot vouch for the truth of the story as it appears on screen. I can only assume that it is much closer to the truth than it is.
A movie worth watching. But I really didn’t like it. I felt like I was watching the “true story” through a mirage of over-heated performances by actors competing to show how far they would go to show their characters’ corruption. Starring Spacey creates the film’s shadiest character and allows us to find some sympathy for this particular demon. As if his imagination were a golden Hollywood bubble, Jack lives his life like a movie, constantly quoting his favorite pictures, which allows Spacey to get a variety of funny impressions, especially about Al Pacino. Abrahoff is also partially justified by the fact that he at least has some ethical limits: He is an observant Jew, a devoted husband, and dreams of making enough money to build a Hebrew school.
His manic partner, Michael Scanlon (Barry Pepper), on the other hand, doesn’t seem to have a spiritual or ethical bone in his body. While he and Abramoff take a local chief on a golf trip in England, Scanlon not only plans to defraud the tribe; cheats on his beloved wife (Rachelle Lefevre) for the party hostess on the private jet. The film leaves no doubt that this adulterous, boiled reptile of a man (who eventually sold out his partner) is the villain of the piece. In a turbo of greed reminiscent of Henry Hill’s trajectory.
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. Except that it’s impossible to gather some empathy for Scanlon. It goes without saying that just because Pepper’s portrayal is so extreme doesn’t mean it’s wrong. Truth is often stranger than fiction, and the real Scanlon can be even more disgusting. But we haven’t bought it dramatically yet. Even the ugliest characters have depths of complexity below the surface. I also had a problem with Jon Lovitz, who plays a raging mattress salesman in bed with the mafia; this is an actor whose performance screams “I’m playing a pathetic person”. And outside the playground.
). Hence the presence of Canadian actors like Pepper, Lefevre, Graham Greene, and the late Maury Chaykin, who as a soft-spoken but deadly Italian gangster gives an absolute miniature jewel. There’s a lot of really admirable work.
. And like I said, the story is pretty interesting, especially if you don’t know it. But once you get past the brutal antics of Abramoff and Scanlon, the edges of the narrative are pretty sketchy, from Abramoff’s marriage to Indian tribal politics and offshore gambling deals. Perhaps because the film is filled with too many sad characters and the cinematography enjoys the excesses of the film with the kind of smug sarcasm Spacey often embodies, there’s something utterly unpleasant about it all, so I have a hard time recommending it more wholeheartedly. There’s also the fact that the live director died tragically at the young age of 47, from an accidental overdose of painkillers just three months before the movie’s release, casting a sad shadow on the entire business.
St. Joseph Communications uses cookies for personalization, personalization of online advertisements, and other purposes. Learn more or change your cookie preferences. By continuing to use our service, you agree to our use of cookies. Any horror fan knows their genre: you have torture porn, J-horror, creature traits, sci-fi transitions, and slasher movies. . But few films shock audiences as much as religious films.
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In 1973 audiences adored in theaters (and inspired a modern TV spin-off last month) or in 2012.
, where grizzled Anthony Hopkins directs an arrogant disbeliever with a Roman-property horror show. So what makes these demonic stories so frightening? Perhaps, unlike a leather-faced taxidermist with birth or maternal issues, Satan really
Even though horror movies make exorcism seem like fiction, there are still people who do it for a living. Father Gary Thomas has been performing exorcisms for over a decade and works in the Archdiocese of San Jose. He inspired the first exorcisms at the Vatican.
(he was the film’s consultant) and over the years
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